An underreported phenomenon in modern culture is the slow degradation of our collective optimism about the future. Look no further than the delta between the 1962 Hanna-Barbera cartoon The Jetsons—which predicted a space-age utopia replete with flying cars, automated kitchens, and robot maids—and Ridley Scott’s 1982 dystopian sci-fi hallmark Blade Runner, which portrays Los Angeles as a dreary urban hellscape overrun with crime, pollution, and android slaves gone rogue. Throw in Gattaca, The…

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